Jake Martin, SJ, is a Jesuit priest, comedian and writer. It is good to be more sensitive to the plights of children in general. Thats the underlying message of We Need to Talk about Kevin, Lynne Ramseys remarkable allegory on the transcendent nature of relationships. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. Directed by Lynne Ramsey Alec Baldwin has been charged in the southwest state of New Mexico for manslaughter and faces an 18-month prison sentence, as does the film's armourer Hannah Gutierrez-Reed. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. He answers, I used to think I knew why, and now Im not so sure. This small act of hesitant humility is followed by Kevins embrace of his mother which can only be likened to the embrace received by that infamous scriptural progeny upon his arrival home. Kevin has numerous reasons to hate his mother, Eva. Kevin poops in his pants, and thinking this act to be deliberate, Eva throws him to the ground, breaking his arm. You've got Braveheart, which it kind of has a similar feeling to. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? And I really am curious as to how she's handling a society of ultra-intelligent ants that basically flooded her world. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. Anyways I haven't read the book but I guess I probably should lol, Scan this QR code to download the app now. When the teenage Kevin surprisingly assents to a mother/son date, Eva is hopeful for the opportunity to cultivate a deeper relationship. It's so convincing that it has the opposite effect on us, convincing us of her innocence and her son's innate evil - how could someone so pitiful, so sorrowful, so emotionally sensitive be responsible for the development of a totally psychopathic mind? And it works - Eva's confrontation was brutally dishonest, but after his reaction she's barely containing her seething rage and the truth of it is all over her face. Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. In an ordinary movie, there would be scenes in classrooms, meetings with counselors, heart-to-heart discussions between the parents. But it's also pretty surface level. All the community rules apply here. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). Kevin keeps the secret of how this happens and a strange complicity develops between the mother and son. It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? this is the best pro-antinatalism PSA out there . BBC Films The film primarily shows you the pathos of evil by painting a portrait of a deeply and violently disturbed young man from his mother's point of view, and you watch how this relationship built and how that pathos developed. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Genres: Psychological Drama, Family Drama. Try refreshing this page.If the problem persists, contact our support contact our support In Maternal Horror Film: Melodrama and Motherhood, Sarah Arnold identifies how mothers as characters suffer from a Manichean oversimplification, or as she calls it the unstable ideology of idealised motherhood. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. It is so ingrained in our culture even a fellow grieving mother slaps her in the parking lot. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. Years later, the birth of her daughter Celia, on the other hand, feels more festive. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. Menu. Kevin abused his mother because she developed a relationship with him where he could have honest interactions with her if he did. For full Oscars coverage and commentary by its reviewer, Fr. Franklin's story is simpler but in some ways I think it's worse. American release: January 27, 2012. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. Not sure I get the fuss about this one. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. Nicoletta Vallorani in her essay Of women and children: Bad mothers as rough heroes, reads a Biblical metaphor into We Need to Talk About Kevin. Votes are used to help determine the most interesting content on RYM. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Tilda Swinton, in a bracing, tour-de-force performance,. The film explores and identifies the hope to be found in the ashes of Ground Zero and in the wake of Columbine while never once attempting to sugarcoat the real darkness and danger that exist in our world. Franklin and Kevin have no special connections like that, and Franklin appropriates Eva's so that he can have something manly to do with his son. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . Eva is entirely bound by the expectations of a culture that fetishizes the mommy and insists upon a particular quality and dynamic in order for relationships to be healthy and normative. Growing up with a cold mother does not turn one into mass murdered either. Moving back and forth in time, the narrative revolves around a picture-perfect American family, but as the story progresses, we see cracks in the familial structure. Despite the fact that Eva is a travel writer of particular renown, she is bound by an understanding of mother/child relationships that do not correspond with her own relationship with her son. 15.7M subscribers We Need To Talk About Kevin #1 Clip - Tilda Swinton Movie (2011) HD Subscribe to TRAILERS: http://bit.ly/sxaw6h The mother of a teenage boy who went on a high-school killing. We also did a lot of blue screen work before, which really helps with the imagination. Kevin replies that he thought he knew why but now hes not sure anymore. Shortly after the incident with Celia, Kevin and his parents have a confrontation at the dining table. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. She has something of an answer as to why Kevin committed such terrors, but where does that leave her? Did they create a monster, or was he born that way? Kevin eats the lychee with a degree of grossness, and when his mother says that he never liked lychee as a fruit, Kevin has to say that it is an acquired taste. And the whole thought was just to fight and keep fighting? When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. She could move away for a fresh start, but she's shown setting up a room for him, complete with his navy blue bedding and Robin Hood book. Is she channeling the brief moment of affection between the two when he was young and sick, or is she working toward being a better mother upon his release? Not that she has a ton of options she struggles to find work and be accepted by those around her. See movies like "The innocents" (1961, Jack Clayton) (pay attention to the title) and "The omen" (1976, Richard Donner). And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. It's been 10 years since its world premiere at Cannes, and we need to talk about what made it such a haunting meditation on motherhood. Based on Lionel Shriver's 2003 bestseller of the same name, Lynne Ramsay's 2011 film explores a broken family, mental illness, and the aftermath of a tragedy. They never talk about Kevin. The film ends with the emotionally blank mother visiting her son on the second anniversary of his crimes, just before he's transferred to an adult prison. ROHAN: You're on a cast with Paul Rudd, David Dastmalchian,William Jackson Harper, and so manyfunny people. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. Go do something. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. For Kevin, maternal love and attention have become completely conflated with disgust and fear. In a film otherwise devoid of hope, these subtle suggestions give the audience a sense of comfort. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. Kevin overhears his parents talking about a divorce, which adds to his anger towards the world. Does she ever. So is Amelia in The Babadook. His willful misbehaviors continue as his mother becomes more estranged from him. Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. We learn that Kevin was a difficult, colicky baby, who grew up to be a difficult, problematic child who seemingly refuses to toilet train, despite a rather surprising vocabulary. However, the story's unflinching refusal to provide answers for who was responsible carries over. Catherine George managed the costume department impeccably well, with a slight touch of retro. This is the scene where the film begins and the ending comes full circle revisiting the moment of rupture in Evas life. The wife and mother, Eva (Tilda Swinton), has been so overwhelmed by despair that her life exists in her mind all at the same time. Go. To rate, slide your finger across the stars from left to right. Because children are normally associated with innocence, creepy children are a tried concept in horror films. Kevin is seen to be wearing short clothes most of the time, like when Eva takes him out for mini-golfing. Alienated from friends and community, all she has left is her son. Is her husband as zoned out as he seems or is that only her perception? A demon seed. There are two really great examples of this: the first is the bow. The flaws of this largely overwrought story belong not so much to Ramsay as filmmaker as to Shriver's source novel. Eva takes incessant trips down memory lane to cope with her past loss. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. Ultimately what it winds up giving us is perhaps the most important truth of Christianity, namely that God is the hope to be found in the midst of the smoke and ashes. By. Ramsay simulates these associative memories, jumping back and forth between the past and the present. Site Map | It must be something like this to have a nervous breakdown. Eva always wanted a daughter, and as her attention moves from Kevin, he becomes more and more begrudging towards his sister. Where do you think Jentorra's story goes next? Home | Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. Use the boards for extended discussion. Eva, in turn, becomes more protective of Celia. She finally gets her excuse to abandon Kevin but doesn't act on it. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. His son is who Franklin says he is, and anything else is just invisible. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. For instance, post-partum depression similar to hers is very common and probably didn't do as much damage as she ascribes to it. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. Hes a friendly and vibrant young priest and a gifted preacher. ", Did Kevin internalize her hatred of him, or is she just feeding into his innate instability? Her husband Franklin (John C. Reilly) dismisses her concerns and uproots their bustling city life for a quiet home in the suburbs. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. We cling to guidelines like the length of Tilda Swinton 's hair to figure out where we are. That's a deeply human tale, and it calls to us, and I think that's why I see takes on the movie saying that it even encourages the viewer to think evil is in our nature and is immutable. At one point, she mockingly. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. Overview. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Privacy | We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. We Need to Talk About Kevin by Lionel Shriver plays with the deepest fears of the majority of people. Going on, she again asks the question of responsibility and says, "I don't know. So to sum up, Eva systematically deprived Kevin of maternal love, then trained him to accept disgust and fear in its place. ROHAN: Considering that you had done Black Lightningand Agents of S.H.I.E.L.D.,and already gotten a small taste of superhero projects before stepping into this massive MCU project. Kevin, it seems, is a volatile Holden Caulfield for the generation. For instance, the ball game Eva plays with a toddler Kevin: when Kevin successfully rolls the ball back to her, her praise is strained and brittle. It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. However, we dont really know why Kevin kills his family. Sometimes Zuzu's petals are all you have to hold onto. The murder spree began with his father and sister suffering the same fate earlier that day. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. The name itself Eva is not chosen by chance, echoing the fatally disobedient woman of the Bible, whose act determined the loss of the Garden of Eden. The mistake would be to take the film apart and try to reconnect the pieces in chronological order. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. A flashback, from long before Kevin was born, shows Eva at La Tomatina, celebrating with the crowd. He completely denies the reality of Kevin's personality and identity, and thus any agency over their relationship. Advertise, Funny Superhero (DC & Marvel) Shirts & Stickers. This comes to a head when Kevin has learned that pooping his pants is the quickest way to his mother's heart, and the time she shows him the most attention - but that attention is always disgust. He can't understand her, but don't you suppose he understands her dislike? With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. The shelves and tabletops are as barren as those in a display home. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. Franklin, on the other hand, does not give him a path to honest interactions. In any other movie, that would be child abuse. Secretary of Transportation Pete Buttigieg's response to Donald Trump's refusal to accept any responsibility for the impact his massive deregulations have had went viral on Thursday as video of him encouraging the ex-president to support the Biden administration's efforts went viral. According to medical practitioners, psychopaths are born so, while sociopathy is a result of conditioning in childhood. KATY: Yeah, I was so jealous, because I really loved it. She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. Yet it is in those infrequent instances of relief, conversion and mercy that the film finds its identity and direction. Kevins reaction is an indictment of both Eva and audiences expectations and their desire for his complicity in perpetrating the fraud. 112 minutes Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield. So, that part I kind of liked because it shows, okay, this is what someone who's still fighting, interacting with someone who kind of essentially gave in. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Although the act is enhanced through visual obscurity and concealment, we get the idea that Kevin kills a few of his classmates in the locked auditorium. Being a mother somehow means they're inherently guilty. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. It's very hard for me to take things seriously, I love to crack jokes and everything, and, I mean, they're so funny off-set, even the guy that played Xolum, James Cutler, he's so funny, and he's just screaming random stuff, when you're trying to be serious, and just all of a sudden, this yell comes out of nowhere, and you're trying to just keep a straight face. You know, it's all fun and games until you really understand that every single decision that you make impacts everybody. For those of us in the northern hemisphere, we have officially entered the dead of winter that time after Christmas and New Years when, Earlier this year my home parish welcomed a new associate pastor. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. For the first portion of the film, the leaps back and forth in time caused needless confusion. Some of the content presented on our sites has been provided by fans, other unofficial websites or online news sources, and is the sole responsibility of the source from which it was obtained. Movies. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. to revoke its approval of the two main drugs used for medication abortion in the United States. Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. The novel explores themes of nihilism, motherhood, the relationship between violence and depravity, and much more. Eva finally asks why he did it. and our We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. describes the "nature vs. nurture" debate. Franklin didn't do that - he wasn't even there. Did your prior experience help prepare you for some of what to expect on Quantumania? However, just the neglect of his mother would not amount to the cathartic finale. KATY: It was really different, obviously, than the comic book version. This is also true of Eva, but we see the conflict in her about her son's mental state. Art and Divine Beauty: An Antidote to the Winter Blues, The Prodigal Son: How to Overcome the 3 Lies We Tell Ourselves. Putting herself through a painful process of introspection, she revisits moments from well before Kevin's birth to the eventual tragedy. The truth to motherhood is a harsh one. Contact | Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. It may not strike one as something extraordinary, but one needs to understand that Kevins mind is wired differently. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. Eva gets pregnant for a second time and gives birth to a little daughter Celia. But when he just sits there frowning, she expresses real disgust towards him. Any spoilers should be placed in spoiler tags as such. Meanwhile, Kevin is planning something that would shatter Evas world forever. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Eva repeatedly tries and fails to create a bond with her son according to traditional societal expectations. Community Guidelines | The real monster is expecting nothing less than unconditional love. We see this throughout Kevin's early developmental journey. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. Fr. Now, mommy wakes up every morning and wishes she was in France! He was exactly right. There is no pattern. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. Kevin has a real emotional attachment to his bow because the only time his mother showed him genuine affection was when he had the flu, and she read Robin Hood to him. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. After this episode, Eva and Kevin seemingly become more affectionate towards each other. Copyright 2023. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. Kevin examines both our darkest moments and those slivers of Grace that sustain us. Cookies help us deliver our Services. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? A bright light appears outside. He doesn't have the emotional capacity to have a disturbed son, and so has decided that he doesn't and that's the end of it. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. Top Films of the 2010s as voted for by RYM (2021/Final edition), NEW TOURNAMENT: [PPE] RYM Picks the Most Outstanding Acting Performances in Cinematic History, Top Films of the 2010s as voted for by RYM (2020 edition), Top Films of the 2010s as voted for by RYM (2019 edition), Dark/Sinister films that have upbeat music during the credits, Top Films of the 2010s as voted for by RYM (2018 edition), RYM's Preferred Female Performances: 2011, Top Films of the 2010s as voted for by RYM (2017 edition), United Kingdom, United States, 35mm, Color, Dolby Stereo, Literary Adaptation, Artificial Eye, Code Red, Oscilloscope Pictures. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. When Kevin paints Evas room with color splashes, Eva thinks that Kevin wanted to ruin the room, but maybe he really wanted to make it more special. 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